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 Here are some key points about Haraway's view of the subject:

1. The Subject is Situated and Relational: Haraway argues that subjectivity is never neutral or universal. Instead, it is always situated—shaped by specific historical, cultural, and material conditions. She challenges the idea of a single, objective, or detached subject, instead emphasizing the relational nature of subjectivity. People are always embedded in networks of relations with others, both human and non-human, and these relationships shape how subjects experience and understand the world.

2. Cyborgs and Posthumanism: In her influential work A Cyborg Manifesto (1985), Haraway introduces the figure of the "cyborg" as a metaphor for the blurring of boundaries between human and machine, nature and culture. She suggests that the cyborg, a hybrid of organism and machine, challenges traditional notions of the human subject as separate from technology, animals, and the environment. The cyborg represents the possibility of breaking down rigid boundaries and embracing new, fluid forms of identity that transcend biological determinism and traditional gender roles.

3. Against Essentialism: Haraway critiques essentialist views of identity—those that reduce complex subjects to fixed categories such as gender, race, or species. She emphasizes that identity is socially constructed and dynamic. Instead of focusing on the binary distinctions of male/female, nature/culture, or human/animal, Haraway advocates for recognizing the interconnectedness and complexity of the subject in all its various forms.

4. Situated Knowledge: Haraway also advocates for "situated knowledge," which suggests that all knowledge and perspectives are shaped by the specific positions and contexts of the knower. This contrasts with the traditional view of objective, disembodied knowledge. In her essay "Situated Knowledges" (1988), Haraway argues that knowledge is always partial and shaped by the social locations of those who produce it. Therefore, subjects cannot be understood as neutral or universal; instead, they are always positioned within specific historical and material circumstances.

5. Feminist Subjectivity: Haraway’s feminism also disrupts traditional ideas of the subject. She critiques the ways that women have been historically represented as passive objects of knowledge and instead proposes an active, embodied, and diverse feminist subjectivity. Haraway’s feminist theory focuses on how subjects (women, in particular) are always in conversation with their environments, technologies, and other beings, constantly reconstituting themselves through these relations.

In summary, Donna Haraway's view of the subject is anti-essentialist, relational, and interconnected with both human and non-human entities. She promotes the idea that subjectivity is always "situated," shifting away from universal notions of identity, and calls for new forms of agency and resistance, particularly through the figure of the cyborg and posthuman perspectives.