Saturday 6 May 2023

Stanford Encyclopedia of Philosophy on Arendt

"Modernity is the age of mass society, of the rise of the social out of a previous distinction between the public and the private, and of the victory of animal laborans over homo faber and the classical conception of man as zoon politikon. Modernity is the age of bureaucratic administration and anonymous labor, rather than politics and action, of elite domination and the manipulation of public opinion. It is the age when totalitarian forms of government, such as Nazism and Stalinism, have emerged as a result of the institutionalization of terror and violence. It is the age where history as a “natural process” has replaced history as a fabric of actions and events, where homogeneity and conformity have replaced plurality and freedom, and where isolation and loneliness have eroded human solidarity and all spontaneous forms of living together. Modernity is the age where the past no longer carries any certainty of evaluation, where individuals, having lost their traditional standards and values, must search for new grounds of human community as such.

This is Arendt’s vision of modernity, a vision which, at first sight, appears quite stark and unredeeming. It is worth pointing out, however, that...her work provides a number of important insights that may help us to address certain problematic features of the modern age. In her political writings, and especially in The Origins of Totalitarianism, Arendt claimed that the phenomenon of totalitarianism has broken the continuity of Occidental history, and has rendered meaningless most of our moral and political categories. The break in our tradition has become irrevocable after the tragic events of the twentieth century and the triumph of totalitarian movements East and West. In the form of Stalinism and Nazism, totalitarianism has exploded the established categories of political thought and the accepted standards of moral judgment, and has thereby broken the continuity of our history. Faced with the tragic events of the Holocaust and the Gulag, we can no longer go back to traditional concepts and values, so as to explain the unprecedented by means of precedents, or to understand the monstrous by means of the familiar. The burden of our time must be faced without the aid of tradition...Our inherited concepts and criteria for judgment have been dissolved under the impact of modern political events, and the task now is to re-establish the meaning of the past outside the framework of any tradition, since none have retained their original validity. It is the past, then, and not tradition, that Arendt attempts to preserve from the rupture in modern time-consciousness. Only by reappropriating the past by means of what Arendt called “the deadly impact of new thoughts” (MDT, 201) can we hope to restore meaning to the present and throw some light on the contemporary situation.

The hermeneutic strategy that Arendt employed to re-establish a link with the past is indebted to both Walter Benjamin and Martin Heidegger. From Benjamin she took the idea of a fragmentary historiography, one that seeks to identify the moments of rupture, displacement and dislocation in history. Such fragmentary historiography enables one to recover the lost potentials of the past in the hope that they may find actualization in the present. From Heidegger she took the idea of a deconstructive reading of the Western philosophical tradition, one that seeks to uncover the original meaning of our categories and to liberate them from the distorting incrustations of tradition. Such deconstructive hermeneutics enables one to recover those primordial experiences (Urphaenomene) which have been occluded or forgotten by the philosophical tradition, and thereby to recover the lost origins of our philosophical concepts and categories.

By relying on these two hermeneutic strategies Arendt hopes to redeem from the past its lost or “forgotten treasure,” that is, those fragments from the past that might still be of significance to us. In her view it is no longer possible, after the collapse of tradition, to save the past as a whole; the task, rather, is to redeem from oblivion those elements of the past that are still able to illuminate our situation. To re-establish a linkage with the past is not an antiquarian exercise; on the contrary, without the critical reappropriation of the past our temporal horizon becomes disrupted, our experience precarious, and our identity more fragile. In Arendt’s view, then, it is necessary to redeem from the past those moments worth preserving, to save those fragments from past treasures that are significant for us. Only by means of this critical reappropriation can we discover the past anew, endow it with relevance and meaning for the present, and make it a source of inspiration for the future.

This critical reappropriation is facilitated, in part, by the fact that after the rupture in modern time-consciousness the past may “open up to us with unexpected freshness and tell us things no one has yet had ears to hear” (BPF, 94). The breakdown of tradition may in fact provide the great chance to look upon the past “with eyes undistorted by any tradition, with a directness which has disappeared from Occidental reading and hearing ever since Roman civilization submitted to the authority of Greek thought” (BPF, 28–9).

Arendt’s return to the original experience of the Greek polis represents, in this sense, an attempt to break the fetters of a worn-out tradition and to rediscover a past over which tradition has no longer a claim. Against tradition Arendt sets the criterion of genuineness, against the authoritative that which is forgotten, concealed, or displaced at the margins of history. Only by operating against the grain of traditionalism and the claims of conventional historiography can the past be made meaningful again, provide sources of illumination for the present, and yield its treasures to those who search for them with “new thoughts” and saving acts of remembrance.

Arendt articulates her conception of modernity around a number of key features: these are world alienationearth alienation, the rise of the social, and the victory of animal laborans. World alienation refers to the loss of an intersubjectively constituted world of experience and action by means of which we establish our self-identity and an adequate sense of reality. Earth alienation refers to the attempt to escape from the confines of the earth; spurred by modern science and technology, we have searched for ways to overcome our earth-bound condition by setting out on the exploration of space, by attempting to recreate life under laboratory conditions, and by trying to extend our given life-span. The rise of the social refers to the expansion of the market economy from the early modern period and the ever increasing accumulation of capital and social wealth. With the rise of the social everything has become an object of production and consumption, of acquisition and exchange; moreover, its constant expansion has resulted in the blurring of the distinction between the private and the public. The victory of animal laborans refers to the triumph of the values of labor over those of homo faber and of man as zoon politikon. All the values characteristic of the world of fabrication — permanence, stability, durability — as well as those characteristic of the world of action and speech — freedom, plurality, solidarity — are sacrificed in favor of the values of life, productivity and abundance.

Arendt identifies two main stages in the emergence of modernity: the first, from the sixteenth to the nineteenth century, corresponds to world alienation and the rise of the social, the second, from the beginning of the twentieth century, corresponds to earth alienation and the victory of animal laborans. She also identifies a number of causes: the discovery of America and the corresponding shrinking of the earth, the waves of expropriation started during the Reformation, the invention of the telescope challenging the adequacy of the senses, the rise of modern science and philosophy and subsequently of a conception of man as part of a process of Nature and History, and the expansion of the realm of the economy, of the production and accumulation of social wealth.

Arendt’s interpretation of modernity can be criticized on a number of grounds. We focus attention here on two categories employed by Arendt, those of nature, and the social. With respect to the category of nature, Arendt oscillates between two contrasting accounts. According to the first account, the modern age, by elevating labor, the most natural of human activities, to the highest position within the vita activa, has brought us too close to nature. Instead of building and preserving the human artifice and creating public spaces for action and deliberation, we are reduced to engage in the activity of sheer survival and in the production of things that are by definition perishable. According to the second account, however, the modern age is characterized by a growing artificiality, by the rejection of anything that is not man-made. Arendt cites the fact that natural processes, including that of life itself, have been recreated artificially by means of scientific experiment, that our natural environment has been extensively transformed and in some instances entirely replaced by technology, and that we have searched for ways to overcome our natural condition as earth-bound creatures by setting out on the exploration of space and envisaging the possibility of inhabiting other planets. All this leads to a situation where nothing around us will be a naturally given event, object, or process, but will instead be the product of our instruments and the will to refashion the world in our image.

These two accounts are difficult to reconcile, since in the former we have nature intruding upon and even destroying the human artifice, while in the latter we have art (techne) expanding upon and replacing everything natural or merely given. The result is to endow nature with an ambiguous status, since in the former case the victory of animal laborans indicates our subjection to natural processes, while in the latter case the expansion of scientific knowledge and of technological mastery indicates the overcoming of all natural limits. The modern world would thus appear to be too natural and too artificial, too much under the dominance of labor and the life-process of the species, as well as too much under the dominance of techne.

With respect to the second category, that of the social, Arendt was unable to account for certain important features of the modern world. Arendt identifies the social with all those activities formerly restricted to the private sphere of the household and having to do with the necessities of life. Her claim is that, with the tremendous expansion of the economy from the end of the eighteenth century, all such activities have taken over the public realm and transformed it into a sphere for the satisfaction of our material needs. Society has thus invaded and conquered the public realm, turning it into a function of what previously were private needs and concerns, and has thereby destroyed the boundary separating the public and the private. Arendt also claims that with the expansion of the social realm the tripartite division of human activities has been undermined to the point of becoming meaningless. In her view, once the social realm has established its monopoly, the distinction between labor, work and action is lost, since every effort is now expended on reproducing our material conditions of existence. Obsessed with life, productivity, and consumption, we have turned into a society of laborers and jobholders who no longer appreciate the values associated with work, nor those associated with action.

From this brief account it is clear that Arendt’s concept of the social plays a crucial role in her assessment of modernity. However some have argued that this may have led her to a series of questionable judgments:

  • In the first place, Arendt’s characterization of the social is overly restricted. She claims that the social is the realm of labor, of biological and material necessity, of the reproduction of our condition of existence. She also claims that the rise of the social coincides with the expansion of the economy from the end of the eighteenth century. However, having identified the social with the growth of the economy in the past two centuries, Arendt cannot characterize it in terms of a subsistence model of simple reproduction. (See Benhabib 2003, Ch. 6; Bernstein 1986, Ch. 9; Hansen 1993, Ch. 3; Parekh 1981, Ch. 8.)
  • Secondly, Arendt’s identification of the social with the activities of the household is responsible for a major shortcoming in her analysis of the economy. She is, in fact, unable to acknowledge that a modern capitalist economy constitutes a structure of power with a highly asymmetric distribution of costs and rewards. By relying on the misleading analogy of the household, she maintains that all questions pertaining to the economy are pre-political, and thus ignores the crucial question of economic power and exploitation. (See Bernstein 1986, Ch. 9; Hansen 1993, Ch. 3; Parekh 1981, Ch. 8; Pitkin 1998; Pitkin 1994, Ch. 10, Hinchman and Hinchman; Wolin 1994, Ch. 11, Hinchman and Hinchman.)
  • Finally, by insisting on a strict separation between the private and the public, and between the social and the political, she is unable to account for the essential connection between these spheres and the struggles to redraw their boundaries. Today many so-called private issues have become public concerns, and the struggle for justice and equal rights has extended into many spheres. By insulating the political sphere from the concerns of the social, and by maintaining a strict distinction between the public and the private, Arendt is unable to account for some of the most important achievements of modernity — the extension of justice and equal rights, and the redrawing of the boundaries between the public and the private. (See Benhabib 2003, Ch. 6; Bernstein 1986, Ch. 9; Dietz 2002, Ch. 5; Pitkin 1998; Pitkin 1995, Ch. 3, Honig; Zaretsky 1997, Ch. 8, Calhoun and McGowan.)"

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